![]() Whether he is recounting history or telling the stories of everyday people, Freeman’s commanding voice always manages to captivate and enchant listeners. Since then, he has narrated several other groundbreaking documentaries, including ‘ March of the Penguins’ and ‘Standing Tall’. Freeman’s career in documentary narration began in the early 1990s, with his work on the acclaimed PBS series ‘ The Civil War’. His deep, resonant tones have lent authority to countless documentaries, making him one of the best narrators in the business. There are few voices as instantly recognizable as that of Morgan Freeman. ‘Roosevelts: An Intimate History’ (2014).‘National Parks America’s Best Idea’ (2009).The narration brings the pictures to life and makes the viewer feel as if they are right there in the moment.Ĭoyote has narrated many Burns documentaries and documentary series. You can hear the passion in Coyote’s voice as he tells the story of the people and events that Burns has captured on film. Watching Ken Burns documentaries with narration is like having a conversation about the subject matter with Coyote himself. But what sets a Ken Burns documentary apart from other documentaries is Peter Coyote’s narration. The pictures come to life and the story unfolds before your eyes. When you watch a Ken Burns documentary, you get transported to another time and place. In this blog, we will look at the most revered documentary narrators of all time, as well as some of the most iconic documentaries of all time. But what makes them among the best narrators? To see more, visit Fresh Air.In all of documentary filmmaking history, few narrators stand out like Peter Coyote, Morgan Freeman, David Attenborough, and Jacques Cousteau. Once again, Burns and company have made history come to life - and reminded us that our life, right now, is indeed history in the making.Ĭopyright 2022 Fresh Air. and the Holocaust - scenes with which we're all too familiar, of hate crimes and hate-filled marches - connect the past to the present without Coyote, or anyone else, having to say a word. But those final sounds and images that conclude The U.S. It's not until the final five minutes that the story is brought fully up to date. The concluding two hours cover the end of World War II, and its aftermath - the formation of Israel, the Nuremberg war trials, even the invention and introduction of the word "genocide." 18, stops in the year 1938, and part two goes up to 1942. The opening installment, which premiers on Sept. Yet they were questioned by many, until after the war, when concentration camps were liberated and their atrocities documented. Throughout the documentary, we see newspaper headlines proving that the facts indeed were out there. ![]() It shows that most everyday Americans were not unaware of what the Nazis were doing in Europe. ![]() The documentary spends a great deal of time delving into the intricacies of national politics - not only in Germany, where Adolf Hitler rose from prison to dictatorial power, but in America, where waves of isolationism kept the U.S. In this case, they try to understand, and explain, what it was like to endure Nazi atrocities - or even to believe that they were happening. When historians and other experts are heard from, they discuss events from that same perspective. Instead of interviewing military experts, he talks to survivors or their relatives. and the Holocaust, like many Ken Burns history projects, examines his subject from the bottom up. And a Ken Burns documentary series always starts with a clear-cut summary of things to come - provided, this time, by frequent Burns narrator Peter Coyote. ![]() Music and sound effects make every moment both more real and more emotional. Photographs are used patiently and poetically, revealing new elements as they pan and zoom in and out. There are celebrity voices reading the words of historical figures - this time, the voices include Meryl Streep, Paul Giamatti, Liam Neeson and Werner Herzog. More than 30 years later, the structure and methods of a Ken Burns production are so familiar as to be almost comforting, and The U.S. And Ward wrote The Civil War, which put Ken Burns on the map in the first place. Ward, who wrote the script for this new series, also wrote the Burns epic documentaries The War, about World War II, and The Roosevelts: An Intimate History, in which Franklin and Eleanor Roosevelt figured prominently, as they do here. and the Holocaust, Ken Burns and his collaborators are revisiting some very familiar ground. In his newest documentary series, The U.S.
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